Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 9
... Method to create real everyday life on the stage - and who wants it ? Next : Actor or artist ? Does the manner in which various practitioners work on the Method aim too often at training certain limited specific elements of acting ...
... Method to create real everyday life on the stage - and who wants it ? Next : Actor or artist ? Does the manner in which various practitioners work on the Method aim too often at training certain limited specific elements of acting ...
Page 14
... Method itself . We ought to know something about that . Because just as technique should be an unconscious guide in ... method of singing . This is a modern binding I had put on it for protection because the book is over a hundred years ...
... Method itself . We ought to know something about that . Because just as technique should be an unconscious guide in ... method of singing . This is a modern binding I had put on it for protection because the book is over a hundred years ...
Page 24
... Method . I know that I run the risk of confusing some of you who have had no contact at all with the Method . I've thought it over very carefully , several times resolving to skip this evening entirely , and I've decided it is the only ...
... Method . I know that I run the risk of confusing some of you who have had no contact at all with the Method . I've thought it over very carefully , several times resolving to skip this evening entirely , and I've decided it is the only ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words