Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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The reader may have noticed that I called the Method a formalization of the
technique of acting . I did not say " realistic ” acting . The distinction is important
because the Method was introduced to Stanislavski ' s ( Moscow Art ) theatre
around ...
The reader may have noticed that I called the Method a formalization of the
technique of acting . I did not say " realistic ” acting . The distinction is important
because the Method was introduced to Stanislavski ' s ( Moscow Art ) theatre
around ...
Page 4
Because I ' ve been hearing so darned much talk on the pros and cons of the “
Method ” I thought I ' d give eight more lectures on it ! Not that I simply want to add
more talking : it ' s just that so much of the talk has been so confusing that it was ...
Because I ' ve been hearing so darned much talk on the pros and cons of the “
Method ” I thought I ' d give eight more lectures on it ! Not that I simply want to add
more talking : it ' s just that so much of the talk has been so confusing that it was ...
Page 14
Now about the tradition of the Method itself . We ought to know something about
that . Because just as technique should be an unconscious guide in any specific
work that we do , tradition should be the unconscious guide in our general ...
Now about the tradition of the Method itself . We ought to know something about
that . Because just as technique should be an unconscious guide in any specific
work that we do , tradition should be the unconscious guide in our general ...
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |