Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 4
... Method " I thought I'd give eight more lectures on it ! Not that I simply want to add more talking : it's just that ... Method is the only answer to truthful acting . " Yet I know of great actors who are completely unaware of it : and I ...
... Method " I thought I'd give eight more lectures on it ! Not that I simply want to add more talking : it's just that ... Method is the only answer to truthful acting . " Yet I know of great actors who are completely unaware of it : and I ...
Page 6
... Method , the talk is often very bitter and personal - not properly polemical as it should be . One hears , for example , rumors of producers and directors who are reported to employ only " Method actors , " and of other producers and ...
... Method , the talk is often very bitter and personal - not properly polemical as it should be . One hears , for example , rumors of producers and directors who are reported to employ only " Method actors , " and of other producers and ...
Page 63
... Method actors who mumble ; and I can also give you examples of actors who do nothing inconsistent with Stanislavski's aims and who , no matter what else you may think , I know you would agree have good loud voices . The same canard is ...
... Method actors who mumble ; and I can also give you examples of actors who do nothing inconsistent with Stanislavski's aims and who , no matter what else you may think , I know you would agree have good loud voices . The same canard is ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words