Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 5
... Othello , said that in certain scenes he felt Salvini was the greatest speaker he had ever heard . Parenthetically , it is interesting , knowing Stanislavski's love of truth , that Lewes also said that Salvini " overacted and underfelt ...
... Othello , said that in certain scenes he felt Salvini was the greatest speaker he had ever heard . Parenthetically , it is interesting , knowing Stanislavski's love of truth , that Lewes also said that Salvini " overacted and underfelt ...
Page 47
... Othello there's a moment when Othello says to Iago , " O , blood , blood , blood ! " and another in Twelfth Night when Mal- volio says , " I'll be revenged on the whole pack of you . ” They are both in the mood of vengeance but it is ...
... Othello there's a moment when Othello says to Iago , " O , blood , blood , blood ! " and another in Twelfth Night when Mal- volio says , " I'll be revenged on the whole pack of you . ” They are both in the mood of vengeance but it is ...
Page 70
... Othello when it was published in 1949. After Iago tells Othello he would like to be Cassio's undertaker , Othello says , " Excellent good . " But in his director's book , next to that line , did the Master write , " to exult in the ...
... Othello when it was published in 1949. After Iago tells Othello he would like to be Cassio's undertaker , Othello says , " Excellent good . " But in his director's book , next to that line , did the Master write , " to exult in the ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words