Method--or madness?: With an introd. by Harold Clurman |
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Page 5
George Henry Lewes, the eminent English critic, who saw Salvini toward the end
of his career in Othello, said that in certain scenes he felt Salvini was the greatest
speaker he had ever heard. Parenthetically, it is interesting, knowing ...
George Henry Lewes, the eminent English critic, who saw Salvini toward the end
of his career in Othello, said that in certain scenes he felt Salvini was the greatest
speaker he had ever heard. Parenthetically, it is interesting, knowing ...
Page 47
Now, "Long-distance Mood," for all its fancy sounding name, simply meant the all-
pervading mood of a whole play, regardless of the various moods of the
individual scenes. It is an important item. For example, in Othello there's a
moment when ...
Now, "Long-distance Mood," for all its fancy sounding name, simply meant the all-
pervading mood of a whole play, regardless of the various moods of the
individual scenes. It is an important item. For example, in Othello there's a
moment when ...
Page 70
I was also greatly relieved at reading Stanislavski's own directing script of Othello
when it was published in 1949. After Iago tells Othello he would like to be
Cassio's undertaker, Othello says, "Excellent good." But in his director's book,
next to ...
I was also greatly relieved at reading Stanislavski's own directing script of Othello
when it was published in 1949. After Iago tells Othello he would like to be
Cassio's undertaker, Othello says, "Excellent good." But in his director's book,
next to ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning |
| Export Citation | BiBTeX EndNote RefMan |