Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 59
The first book , An Actor Prepares , which was concerned with the “ internal , ”
was published in 1936 . The second , Building a Character , dealing mainly with
the “ external , ” or the method of expressing one ' s feelings , was published in ...
The first book , An Actor Prepares , which was concerned with the “ internal , ”
was published in 1936 . The second , Building a Character , dealing mainly with
the “ external , ” or the method of expressing one ' s feelings , was published in ...
Page 71
... a true artistic tone , like those of the pianist who works over the technique of the
fingers and the position of the hand , like those of every dancer who prepares his
body for plastics and dancing , were conspicuous by their absence , and 71.
... a true artistic tone , like those of the pianist who works over the technique of the
fingers and the position of the hand , like those of every dancer who prepares his
body for plastics and dancing , were conspicuous by their absence , and 71.
Page 140
How much time you have to prepare a part is not so important as the order in
which you prepare it . You should not do things you are not yet ready for , such as
the forcing of emotion in the early stages which does such violence to your
insides ...
How much time you have to prepare a part is not so important as the order in
which you prepare it . You should not do things you are not yet ready for , such as
the forcing of emotion in the early stages which does such violence to your
insides ...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole