Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 36
Stanislavski tried to work this out so that it can be used as material by the creative
actor . Of course a great deal of the nonsense that used to be spoken about the
Group Theatre in the thirties came from this particular item . It ' s dangerous ...
Stanislavski tried to work this out so that it can be used as material by the creative
actor . Of course a great deal of the nonsense that used to be spoken about the
Group Theatre in the thirties came from this particular item . It ' s dangerous ...
Page 54
Stanislavski was always searching , always changing , and he said , “ It is not my
system . I did not invent anything . I am simply trying to put down something which
is based on the laws of creation . ” He religiously studied those laws in his own ...
Stanislavski was always searching , always changing , and he said , “ It is not my
system . I did not invent anything . I am simply trying to put down something which
is based on the laws of creation . ” He religiously studied those laws in his own ...
Page 152
This remarkable document is a conversation in 1909 between Stanislavski and
Gordon Craig . Craig , as you know , was invited to Moscow to design the
Moscow Art Theatre production of Hamlet . Stanislavski had pinpointed the
problem of ...
This remarkable document is a conversation in 1909 between Stanislavski and
Gordon Craig . Craig , as you know , was invited to Moscow to design the
Moscow Art Theatre production of Hamlet . Stanislavski had pinpointed the
problem of ...
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole