Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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you have a marvellous actor , an artist , perhaps even a genius . The reader may have noticed that I called the Method a formalization of the technique of acting . I did not say " realistic " acting . The distinction is important ...
you have a marvellous actor , an artist , perhaps even a genius . The reader may have noticed that I called the Method a formalization of the technique of acting . I did not say " realistic " acting . The distinction is important ...
Page 9
Next : Actor or artist ? Does the manner in which various practitioners work on the Method aim too often at training certain limited specific elements of acting rather than at developing good artists ? In this section I will also ...
Next : Actor or artist ? Does the manner in which various practitioners work on the Method aim too often at training certain limited specific elements of acting rather than at developing good artists ? In this section I will also ...
Page 131
Whatever it is you had been working for in your acting , you now have to condense that amount of thinking , feeling , etc. into that lesser bit of space , or time . And you often find , if it is a good opera , and if the composer has ...
Whatever it is you had been working for in your acting , you now have to condense that amount of thinking , feeling , etc. into that lesser bit of space , or time . And you often find , if it is a good opera , and if the composer has ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole