Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 44
Of course actual dancing can have practical use at times , say , if you are playing
Molière and you are called upon to execute a real dance step . But even failing
anything as specific as that ( you don ' t have to become an accomplished ballet ...
Of course actual dancing can have practical use at times , say , if you are playing
Molière and you are called upon to execute a real dance step . But even failing
anything as specific as that ( you don ' t have to become an accomplished ballet ...
Page 77
With an Introd. by Harold Clurman Robert Lewis. trouble that turns up later in
production . I know some actors who have studied for years and yet when they
come to work in an actual production , they have no useful technique . One : they
have ...
With an Introd. by Harold Clurman Robert Lewis. trouble that turns up later in
production . I know some actors who have studied for years and yet when they
come to work in an actual production , they have no useful technique . One : they
have ...
Page 148
... not dread that set rolling in , and that costume that ' s going to make you
uncomfortable , and that prop that will prevent you from flinging your hands
around . You should , with your imagination ( the labor costs prevent you having
the actual ...
... not dread that set rolling in , and that costume that ' s going to make you
uncomfortable , and that prop that will prevent you from flinging your hands
around . You should , with your imagination ( the labor costs prevent you having
the actual ...
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