Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 54
With an Introd. by Harold Clurman Robert Lewis. answer to that is , yes , of course it would . If you are an artist , it invariably takes you a whole lifetime to perfect ... answer that fairly . I haven't been in contact with him for 54.
With an Introd. by Harold Clurman Robert Lewis. answer to that is , yes , of course it would . If you are an artist , it invariably takes you a whole lifetime to perfect ... answer that fairly . I haven't been in contact with him for 54.
Page 74
... answers the question so many actors ask , " What about spontaneity ? How can you be spontaneous if you have to think ... Answer : " In every branch of art , as well as in music , the work of preparation ruled by discipline should finally ...
... answers the question so many actors ask , " What about spontaneity ? How can you be spontaneous if you have to think ... Answer : " In every branch of art , as well as in music , the work of preparation ruled by discipline should finally ...
Page 78
... answers , “ Just a minute , I'll go and get one . " What you will probably do is pick a good scene out of a play ... answer is , yes they do . But I can only point out that I think the same danger exists for them . When they come to ...
... answers , “ Just a minute , I'll go and get one . " What you will probably do is pick a good scene out of a play ... answer is , yes they do . But I can only point out that I think the same danger exists for them . When they come to ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Félia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words