Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 68
The director comes running down the aisle shouting , “ Beautiful ! Just beautiful - -
but you forgot to say your lines . ” The actor may say , and quite correctly too , “
Look , I did it that way for weeks during rehearsals . It ' s in me solid and I feel it ...
The director comes running down the aisle shouting , “ Beautiful ! Just beautiful - -
but you forgot to say your lines . ” The actor may say , and quite correctly too , “
Look , I did it that way for weeks during rehearsals . It ' s in me solid and I feel it ...
Page 84
His " beautiful ” command of speech is “ disconnected . ” That is the opposite side
of the coin of those who can ' t speak well because they are so moved ! What is
the answer ? What really is a beautiful voice ? Is it a pretty sound with good ...
His " beautiful ” command of speech is “ disconnected . ” That is the opposite side
of the coin of those who can ' t speak well because they are so moved ! What is
the answer ? What really is a beautiful voice ? Is it a pretty sound with good ...
Page 159
S : Don ' t forget , in the first place , that the words are in translation , and are ,
therefore , no longer as beautiful as in the original ; and this is most important : To
make people listen to beautiful words , they must be beautifully delivered .
S : Don ' t forget , in the first place , that the words are in translation , and are ,
therefore , no longer as beautiful as in the original ; and this is most important : To
make people listen to beautiful words , they must be beautifully delivered .
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole