Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 28
I think Stanislavski does not mean so much work on the artist ' s character alone ,
because that is only part of it . We know people with fairly poor characters who
are fine actors , and we know people of splendid character who can ' t act at all .
I think Stanislavski does not mean so much work on the artist ' s character alone ,
because that is only part of it . We know people with fairly poor characters who
are fine actors , and we know people of splendid character who can ' t act at all .
Page 82
It is an element of characterization which you can incorporate in your character .
You can go further ; you can become even more specific in your usage of this
kind of character element . Do you remember Charles Laughton in the end of
Henry ...
It is an element of characterization which you can incorporate in your character .
You can go further ; you can become even more specific in your usage of this
kind of character element . Do you remember Charles Laughton in the end of
Henry ...
Page 100
The depth of feeling of one character is different from another , and if you are
always feeling truthfully as you feel , you may hit your character only intermittently
, if at all . If a certain character is supposed to say , unappreciatively and jokingly
...
The depth of feeling of one character is different from another , and if you are
always feeling truthfully as you feel , you may hit your character only intermittently
, if at all . If a certain character is supposed to say , unappreciatively and jokingly
...
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |