Method--or Madness?: With an Introd. by Harold Clurman |
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Page 62
In justice , I want to read the end of that chapter , in which he also says , “ A clear -
cut rhythm of speech facilitates rhythmic sensibility and the opposite is also true :
the rhythm of sensations experienced helps to produce clear speech .
In justice , I want to read the end of that chapter , in which he also says , “ A clear -
cut rhythm of speech facilitates rhythmic sensibility and the opposite is also true :
the rhythm of sensations experienced helps to produce clear speech .
Page 141
So the danger of imitation is not so great as some people would like you to
believe . I think the virtues of that way of beginning are many . First of all , if one
gives a straightforward , clear reading of the play , the twelve , or however many ...
So the danger of imitation is not so great as some people would like you to
believe . I think the virtues of that way of beginning are many . First of all , if one
gives a straightforward , clear reading of the play , the twelve , or however many ...
Page 151
Certain things you were doing which you thought were perfectly clear are not
clear to the public . In other things you find the audience is way ahead of you , etc
. — and you fix and fix until the New York première . Now the amount of time that
...
Certain things you were doing which you thought were perfectly clear are not
clear to the public . In other things you find the audience is way ahead of you , etc
. — and you fix and fix until the New York première . Now the amount of time that
...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |