Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 42
is more possible for whatever feeling you may have to come through and be
delivered to the audience , if your body is in the correct state of physical
relaxation . Tension has a tendency to press your feeling down and kill it , much
like the bottle ...
is more possible for whatever feeling you may have to come through and be
delivered to the audience , if your body is in the correct state of physical
relaxation . Tension has a tendency to press your feeling down and kill it , much
like the bottle ...
Page 77
With an Introd. by Harold Clurman Robert Lewis. trouble that turns up later in
production . I know some actors who have studied for years and yet when they
come to work in an actual production , they have no useful technique . One : they
have ...
With an Introd. by Harold Clurman Robert Lewis. trouble that turns up later in
production . I know some actors who have studied for years and yet when they
come to work in an actual production , they have no useful technique . One : they
have ...
Page 126
It comes down to a matter of choice . Although what each actor did was real and
could be justified , there were lots of real things they might have done that they
didn ' t . They behaved in a certain , controlled way . It was not necessary for the ...
It comes down to a matter of choice . Although what each actor did was real and
could be justified , there were lots of real things they might have done that they
didn ' t . They behaved in a certain , controlled way . It was not necessary for the ...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole