Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 56
In his stage acting Michael Chekhov embodied the “ Complete Internal ” plus the
“ Complete External ” outlined in the Method chart , yet he was reticent to call
himself a Stanislavski authority , We should emulate this attitude by trying always
to ...
In his stage acting Michael Chekhov embodied the “ Complete Internal ” plus the
“ Complete External ” outlined in the Method chart , yet he was reticent to call
himself a Stanislavski authority , We should emulate this attitude by trying always
to ...
Page 78
When they come to the performance of the complete opera the arias are usually
quite unrelated to the whole and are done as showpieces . You should want your
acting to be related to the whole play , to the author , to the style of the play , and
...
When they come to the performance of the complete opera the arias are usually
quite unrelated to the whole and are done as showpieces . You should want your
acting to be related to the whole play , to the author , to the style of the play , and
...
Page 84
... and the complete demands of the play , and not become a fetish used for its
own sake . If that were so we would have the actor stretching himself up to the
level of art and not pulling all art down to the comfortable level of his “ reallife ”
truth .
... and the complete demands of the play , and not become a fetish used for its
own sake . If that were so we would have the actor stretching himself up to the
level of art and not pulling all art down to the comfortable level of his “ reallife ”
truth .
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |