Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 44
Of course actual dancing can have practical use at times , say , if you are playing
Molière and you are called upon to execute a real dance step . But even failing
anything as specific as that ( you don ' t have to become an accomplished ballet ...
Of course actual dancing can have practical use at times , say , if you are playing
Molière and you are called upon to execute a real dance step . But even failing
anything as specific as that ( you don ' t have to become an accomplished ballet ...
Page 141
Of course this may come from many things that we know about : such as the
whole business of getting the part , of making an impression on the first day , and
of not being thrown out after the probationary five days ; but we can ' t take the
time ...
Of course this may come from many things that we know about : such as the
whole business of getting the part , of making an impression on the first day , and
of not being thrown out after the probationary five days ; but we can ' t take the
time ...
Page 150
Of course if he does it repeatedly , you have to point it out to him . But the chief
thing is to give the important notes such as where the actor goes off from the main
idea of the scene . If he can set himself right again on that you very often find the
...
Of course if he does it repeatedly , you have to point it out to him . But the chief
thing is to give the important notes such as where the actor goes off from the main
idea of the scene . If he can set himself right again on that you very often find the
...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |