Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 33
you are playing either “ given ” by the situation , or created by the actor or director
to enhance the playing . ... the actor might often profitably create some "
circumstance ” within the logic of the situation to permit him to execute what ' s
required .
you are playing either “ given ” by the situation , or created by the actor or director
to enhance the playing . ... the actor might often profitably create some "
circumstance ” within the logic of the situation to permit him to execute what ' s
required .
Page 51
There are two aspects to the way techniques are applied : the unconscious guide
" ( mentioned before ) as you create on the stage , and the conscious study in
workshops or in learning a part . This is as true for the director as for the actor .
There are two aspects to the way techniques are applied : the unconscious guide
" ( mentioned before ) as you create on the stage , and the conscious study in
workshops or in learning a part . This is as true for the director as for the actor .
Page 100
It is not advisable to use only outside means to create , because I do believe that
stifles your true feeling instead of releasing it ; but you can start your inside motor
up and keep it running to create your means of projecting the whole truth of your
...
It is not advisable to use only outside means to create , because I do believe that
stifles your true feeling instead of releasing it ; but you can start your inside motor
up and keep it running to create your means of projecting the whole truth of your
...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create dance dancer deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |