Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 28
But I think what he probably means is that when you are expressing yourself in a part , somehow all your reactions to life , all the ideas and feelings that you have stored up , come out in one way or another .
But I think what he probably means is that when you are expressing yourself in a part , somehow all your reactions to life , all the ideas and feelings that you have stored up , come out in one way or another .
Page 29
of “ Expressing your Emotion , ” a subject more likely to be sniffed at by the Devoted . And yet , there it is , fifty per cent worth ! Eight , Nine and Ten , “ the three motors of our Psychic life , ” as they are rather floridly called ...
of “ Expressing your Emotion , ” a subject more likely to be sniffed at by the Devoted . And yet , there it is , fifty per cent worth ! Eight , Nine and Ten , “ the three motors of our Psychic life , ” as they are rather floridly called ...
Page 47
You can even have characters that may seem to be expressing quite the reverse of the “ spine ” of the play , but still are related . There was a comedy character in Golden Boy , a neighbor who felt that the only way he could cope was ...
You can even have characters that may seem to be expressing quite the reverse of the “ spine ” of the play , but still are related . There was a comedy character in Golden Boy , a neighbor who felt that the only way he could cope was ...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole