Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
From inside the book
Results 1-3 of 15
Page 77
One : they have no sense of rhythm . ( If you want to be corny , you can say “
timing , " but since I ' m a lecturer now , I ' ll say rhythm . ) Once , in a play , I had to
have a fellow say to a crowd , “ Come on ! ” and they had to reply three times , “
No !
One : they have no sense of rhythm . ( If you want to be corny , you can say “
timing , " but since I ' m a lecturer now , I ' ll say rhythm . ) Once , in a play , I had to
have a fellow say to a crowd , “ Come on ! ” and they had to reply three times , “
No !
Page 115
that he was not a formal fellow but was acting that aspect of it . In that very first
move , before he said a single word , the two characters were introduced . After
the formal bows were over , he lapsed back into his informal GI pose , studied the
...
that he was not a formal fellow but was acting that aspect of it . In that very first
move , before he said a single word , the two characters were introduced . After
the formal bows were over , he lapsed back into his informal GI pose , studied the
...
Page 149
By now let us say everyone is playing fine but this fellow is in front of that one , or
this grouping doesn ' t look right and you need to change a few positions , or
somebody ' s voice has to be adjusted one way or another , or whatever . All the ...
By now let us say everyone is playing fine but this fellow is in front of that one , or
this grouping doesn ' t look right and you need to change a few positions , or
somebody ' s voice has to be adjusted one way or another , or whatever . All the ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |