Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 32
Actually it ' s a term that was also used by Pushkin . In reply to an inquiry from an
author , Pushkin wrote , “ The truth of passion , the verisimilitude of feeling ,
placed in the given circumstances , that is what our reason demands of a writer or
of a ...
Actually it ' s a term that was also used by Pushkin . In reply to an inquiry from an
author , Pushkin wrote , “ The truth of passion , the verisimilitude of feeling ,
placed in the given circumstances , that is what our reason demands of a writer or
of a ...
Page 98
The truth of passion , the verisimilitude of feeling , placed in the given
circumstances , that is what our reason demands of a writer or of a dramatic poet .
” Now the phrase I wish to extract momentarily from that statement for you is , “
placed in ...
The truth of passion , the verisimilitude of feeling , placed in the given
circumstances , that is what our reason demands of a writer or of a dramatic poet .
” Now the phrase I wish to extract momentarily from that statement for you is , “
placed in ...
Page 131
And you often find , if it is a good opera , and if the composer has some
knowledge of theatre , that you are being forced into improving your acting ,
because he has given you tempi compatible with the emotional content of the
scene . It is just ...
And you often find , if it is a good opera , and if the composer has some
knowledge of theatre , that you are being forced into improving your acting ,
because he has given you tempi compatible with the emotional content of the
scene . It is just ...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole