Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 39
The hand to the head for an “ Oh , my Lord ! ” line , or the biting of the back of the
hand for " terror , ” etc . , are obvious physical clichés ; our theatre is riddled with
them . We have almost as many conventions as the Oriental theatre , in a way ...
The hand to the head for an “ Oh , my Lord ! ” line , or the biting of the back of the
hand for " terror , ” etc . , are obvious physical clichés ; our theatre is riddled with
them . We have almost as many conventions as the Oriental theatre , in a way ...
Page 71
Written down there , in Stanislavski ' s hand , it says , “ Great animation bordering
on joy . ” Now how unStanislavski can you get ! Also , it is full of remarks such as ,
“ pause of anxiety . " What would lead a purist quicker to “ indicating a result ...
Written down there , in Stanislavski ' s hand , it says , “ Great animation bordering
on joy . ” Now how unStanislavski can you get ! Also , it is full of remarks such as ,
“ pause of anxiety . " What would lead a purist quicker to “ indicating a result ...
Page 125
Now each person also had concealed in his hand a nicely colored prop , a piece
of vegetable or fruit or whatever . As they listened they slowly offered these things
up to the old man . Each hand that came out , presumably from this tree , had ...
Now each person also had concealed in his hand a nicely colored prop , a piece
of vegetable or fruit or whatever . As they listened they slowly offered these things
up to the old man . Each hand that came out , presumably from this tree , had ...
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |