Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
From inside the book
Results 1-3 of 18
Page 4
Then again I hear , “ The Method is a curse , it is ruining the theatre . ” Yet I know
of great actors who , I feel , are doing nothing that is incompatible with what I
understand the Method to be . I hear , further , that the Method is limiting - useful
only ...
Then again I hear , “ The Method is a curse , it is ruining the theatre . ” Yet I know
of great actors who , I feel , are doing nothing that is incompatible with what I
understand the Method to be . I hear , further , that the Method is limiting - useful
only ...
Page 90
You constantly hear , in rehearsal , “ I don ' t feel it . ” In variations it goes , “ I don '
t feel it that way ” or , “ I don ' t feel it if he ' s going to do that . ” When I hear that I
want to say , “ Who cares ? It ' s the audience which is supposed to feel it !
You constantly hear , in rehearsal , “ I don ' t feel it . ” In variations it goes , “ I don '
t feel it that way ” or , “ I don ' t feel it if he ' s going to do that . ” When I hear that I
want to say , “ Who cares ? It ' s the audience which is supposed to feel it !
Page 142
Also , the actors are much more apt to hear the entire play in a relaxed way if
somebody reads it to them ; more so than when they are tense about their first
reading — and tense they usually are the first time . They wait for their particular ...
Also , the actors are much more apt to hear the entire play in a relaxed way if
somebody reads it to them ; more so than when they are tense about their first
reading — and tense they usually are the first time . They wait for their particular ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |