Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 144
This is terribly important . One says this often and it is awfully hard to get it done
right . There is that sense of rushing , of getting to the next cue ; whereas actually
, in the beginning , it is not important whether you come in right on the nose or not
...
This is terribly important . One says this often and it is awfully hard to get it done
right . There is that sense of rushing , of getting to the next cue ; whereas actually
, in the beginning , it is not important whether you come in right on the nose or not
...
Page 150
You go through without stopping and the director gives his notes at the end . I
think it ' s a good idea , in the first few run - throughs , to give just the important
notes , those having to do with big things . The fact that the boy walked past the
girl ...
You go through without stopping and the director gives his notes at the end . I
think it ' s a good idea , in the first few run - throughs , to give just the important
notes , those having to do with big things . The fact that the boy walked past the
girl ...
Page 157
contain nothing important . They do it so easily and pleasantly , as if tossing a ball
. This relieves the public , does not tire it to no purpose , and for that reason the
public can absorb the important passages when they come . S : That is your own
...
contain nothing important . They do it so easily and pleasantly , as if tossing a ball
. This relieves the public , does not tire it to no purpose , and for that reason the
public can absorb the important passages when they come . S : That is your own
...
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |