Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 125
The people standing around below were gradually attracted to the sound and in
order to listen more comfortably , a couple of them knelt down on one knee , a
little child was lifted up on somebody ' s shoulder ( all very “ true ” elements , you
...
The people standing around below were gradually attracted to the sound and in
order to listen more comfortably , a couple of them knelt down on one knee , a
little child was lifted up on somebody ' s shoulder ( all very “ true ” elements , you
...
Page 144
Listening ! This is terribly important . One says this often and it is awfully hard to
get it done right . There is that sense of ... But , when the other fellow is talking to
you it certainly is a good idea to listen with the real desire to find out what the
devil ...
Listening ! This is terribly important . One says this often and it is awfully hard to
get it done right . There is that sense of ... But , when the other fellow is talking to
you it certainly is a good idea to listen with the real desire to find out what the
devil ...
Page 159
S : Yes , but one must be able to make people listen to the words . C : That is my
intention in giving such simple settings , and I should like the movements to be
simple and few in number . S : Why do you think we make so many movements in
...
S : Yes , but one must be able to make people listen to the words . C : That is my
intention in giving such simple settings , and I should like the movements to be
simple and few in number . S : Why do you think we make so many movements in
...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole