Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 72
Such actors are convinced that they are living over their parts , that they have
understood all , that my system has brought them unusual help , and they
touchingly thank me and praise me for the discovery of a new America . But — ' I
will find ...
Such actors are convinced that they are living over their parts , that they have
understood all , that my system has brought them unusual help , and they
touchingly thank me and praise me for the discovery of a new America . But — ' I
will find ...
Page 89
Now these are only partial answers ; but they are something we have to deal with
and think about . To come back to the actors : are the one hundred percent living
- the - part ” actors really living the part one hun - — dred per - cent , or are they ...
Now these are only partial answers ; but they are something we have to deal with
and think about . To come back to the actors : are the one hundred percent living
- the - part ” actors really living the part one hun - — dred per - cent , or are they ...
Page 163
I then came to “ truth ” and asked whether the people who are always speaking of
“ living their part ” are really living the part or really living themselves and adding
the author ' s words to that life . And , while I came out " in favor of ” truth , I also ...
I then came to “ truth ” and asked whether the people who are always speaking of
“ living their part ” are really living the part or really living themselves and adding
the author ' s words to that life . And , while I came out " in favor of ” truth , I also ...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole