Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 28
I think Stanislavski does not mean so much work on the artist ' s character alone ,
because that is only part of it . ... But I think what he probably means is that when
you are expressing yourself in a part , „ somehow all your reactions to life , all ...
I think Stanislavski does not mean so much work on the artist ' s character alone ,
because that is only part of it . ... But I think what he probably means is that when
you are expressing yourself in a part , „ somehow all your reactions to life , all ...
Page 36
It means the same thing — the attention you put on a specific object . It doesn ' t
meant just the general concentration you should have in your work ; it goes
without saying that every good performing artist has to concentrate on what he is
doing ...
It means the same thing — the attention you put on a specific object . It doesn ' t
meant just the general concentration you should have in your work ; it goes
without saying that every good performing artist has to concentrate on what he is
doing ...
Page 40
I think it means the study - of yourself , which so few people do , in order to know
what you bring onto the stage as a personality . After all , that does become part ,
in some way , of the rôle you are creating . Very often actors fail to understand ...
I think it means the study - of yourself , which so few people do , in order to know
what you bring onto the stage as a personality . After all , that does become part ,
in some way , of the rôle you are creating . Very often actors fail to understand ...
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |