Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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Page 30
... meant and all that is meant : that I , this man , love you , this girl . It is explicit in the line and that is what is intended to be conveyed . But it is also possible that something quite different is intended by those words . You ...
... meant and all that is meant : that I , this man , love you , this girl . It is explicit in the line and that is what is intended to be conveyed . But it is also possible that something quite different is intended by those words . You ...
Page 38
... meant by " The fluid of the exchange of emotion . " If you have ever been playing in a scene with an actor and the emotion has started to grow between the two of you and you have been able to sense it , measure it , and share it with ...
... meant by " The fluid of the exchange of emotion . " If you have ever been playing in a scene with an actor and the emotion has started to grow between the two of you and you have been able to sense it , measure it , and share it with ...
Page 47
... meant the all - pervading mood of a whole play , regardless of the various moods of the individual scenes . It is an important item . For example , in Othello there's a moment when Othello says to Iago , " O , blood , blood , blood ...
... meant the all - pervading mood of a whole play , regardless of the various moods of the individual scenes . It is an important item . For example , in Othello there's a moment when Othello says to Iago , " O , blood , blood , blood ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words