Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 30
Of course it is perfectly possible that you can mean exactly what you say : one
character may say to another , “ I love you , ” and that may be exactly what is
meant and all that is meant : that I , this man , love you , this girl . It is explicit in the
line ...
Of course it is perfectly possible that you can mean exactly what you say : one
character may say to another , “ I love you , ” and that may be exactly what is
meant and all that is meant : that I , this man , love you , this girl . It is explicit in the
line ...
Page 38
The next item , Twenty - two , is a little subtle to go into here , but I think you actors
will understand what is meant by “ The fluid of the exchange of emotion . ” If you
have ever been playing in a scene with an actor and the emotion has started to ...
The next item , Twenty - two , is a little subtle to go into here , but I think you actors
will understand what is meant by “ The fluid of the exchange of emotion . ” If you
have ever been playing in a scene with an actor and the emotion has started to ...
Page 47
Now , “ Long - distance Mood , ” for all its fancy sounding name , simply meant
the all - pervading mood of a whole play , regardless of the various moods of the
individual scenes . It is an important item . For example , in Othello there ' s a ...
Now , “ Long - distance Mood , ” for all its fancy sounding name , simply meant
the all - pervading mood of a whole play , regardless of the various moods of the
individual scenes . It is an important item . For example , in Othello there ' s a ...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |