Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 41
... example : you can have heard a song many times and then you suddenly hear
it played in a certain tempo and it moves you . ... first heard it under certain
emotional circumstances and that same particular beat helps to move you again .
... example : you can have heard a song many times and then you suddenly hear
it played in a certain tempo and it moves you . ... first heard it under certain
emotional circumstances and that same particular beat helps to move you again .
Page 158
acing , in tears , with no particular inner sensations , standing on one spot ,
making no unnecessary gestures , not moving ? S : Do you know a single actress
who could do that ? Do you think Duse , for example , could do it ? C : [ roars ] Oh
...
acing , in tears , with no particular inner sensations , standing on one spot ,
making no unnecessary gestures , not moving ? S : Do you know a single actress
who could do that ? Do you think Duse , for example , could do it ? C : [ roars ] Oh
...
Page 159
We make the characters move only in order to make the public follow and listen .
C : Yes ! yes ! S : And the most difficult thing is to place two actors and make them
carry on a dialogue without moving . It immediately becomes theatrical .
We make the characters move only in order to make the public follow and listen .
C : Yes ! yes ! S : And the most difficult thing is to place two actors and make them
carry on a dialogue without moving . It immediately becomes theatrical .
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |