Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 27
Being on this side of the chart , this means inner movement . Twentyfive — “
Theatrical personality and scenic sympathy ( taking away the bad things that
make bad personalities ) ; ” Twenty - six — “ Ethical discipline ( props , makeup ,
quarrels ...
Being on this side of the chart , this means inner movement . Twentyfive — “
Theatrical personality and scenic sympathy ( taking away the bad things that
make bad personalities ) ; ” Twenty - six — “ Ethical discipline ( props , makeup ,
quarrels ...
Page 39
Twenty - four : “ The finishing of problems ( beats ) and mastery in movement ” (
again , he means inner movement ) . It is the knowledge that a certain section , a
certain intention is over , that the next one is beginning , and just where that point
...
Twenty - four : “ The finishing of problems ( beats ) and mastery in movement ” (
again , he means inner movement ) . It is the knowledge that a certain section , a
certain intention is over , that the next one is beginning , and just where that point
...
Page 44
We may even start to get some plays written in which we can use such interesting
movement . Thirty - six . “ Fencing . ” What has that to do with acting ? Well , when
I was a kid in the Civic Repertory Theatre we studied it . Of course , we were ...
We may even start to get some plays written in which we can use such interesting
movement . Thirty - six . “ Fencing . ” What has that to do with acting ? Well , when
I was a kid in the Civic Repertory Theatre we studied it . Of course , we were ...
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