Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
From inside the book
Results 1-3 of 13
Page 78
... play , and to all the other actors present , and not only to that one scene and that one person that you have as your partner in the scene class . A dancer is not - someone who can only execute fast turns brilliantly but 78.
... play , and to all the other actors present , and not only to that one scene and that one person that you have as your partner in the scene class . A dancer is not - someone who can only execute fast turns brilliantly but 78.
Page 125
... person also had concealed in his hand a nicely col- ored prop , a piece of vegetable or fruit or whatever . As they listened they slowly offered these things up to the old man . Each hand that came out , presumably from this tree , had ...
... person also had concealed in his hand a nicely col- ored prop , a piece of vegetable or fruit or whatever . As they listened they slowly offered these things up to the old man . Each hand that came out , presumably from this tree , had ...
Page 141
... person read the play to the cast . I have fol- lowed that plan wherever feasible . Of course there are certain possible pitfalls in it : if the person reading is a very fine performer and forgets that the object of the read- ing is to ...
... person read the play to the cast . I have fol- lowed that plan wherever feasible . Of course there are certain possible pitfalls in it : if the person reading is a very fine performer and forgets that the object of the read- ing is to ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
4 other sections not shown
Other editions - View all
Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words