Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 78
You should want your acting to be related to the whole play , to the author , to the
style of the play , and to all the other actors present , and not only to that one
scene and that one person that you have as your partner in the scene class .
You should want your acting to be related to the whole play , to the author , to the
style of the play , and to all the other actors present , and not only to that one
scene and that one person that you have as your partner in the scene class .
Page 141
For the first rehearsal , I always think it is a good plan to have one person read
the play to the cast . I have followed that plan wherever feasible . Of course there
are certain possible pitfalls in it : if the person reading is a very fine performer and
...
For the first rehearsal , I always think it is a good plan to have one person read
the play to the cast . I have followed that plan wherever feasible . Of course there
are certain possible pitfalls in it : if the person reading is a very fine performer and
...
Page 152
Craig , of course , is the person that has had so much influence on modern
directors , formulating , as he did , the whole idea of the unity of all the theatre arts
in production . He himself had difficulty in putting many of his ideas to the test for
one ...
Craig , of course , is the person that has had so much influence on modern
directors , formulating , as he did , the whole idea of the unity of all the theatre arts
in production . He himself had difficulty in putting many of his ideas to the test for
one ...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |