Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 20
It is a truly great technical feat , but she doesn ' t do it for that reason at all . It ' s
done for an idea , the idea , possibly , that the court is standing on its head and
everything is upside down . Then , too , her costume is made of stiff material , not
for ...
It is a truly great technical feat , but she doesn ' t do it for that reason at all . It ' s
done for an idea , the idea , possibly , that the court is standing on its head and
everything is upside down . Then , too , her costume is made of stiff material , not
for ...
Page 149
There is no valid reason not to know what the lights will be like before you get to
them , and then incorporate that knowledge in whatever it is you ' re working on in
the scene - it is part of it ! Now we come to the last rehearsal process before we ...
There is no valid reason not to know what the lights will be like before you get to
them , and then incorporate that knowledge in whatever it is you ' re working on in
the scene - it is part of it ! Now we come to the last rehearsal process before we ...
Page 157
This relieves the public , does not tire it to no purpose , and for that reason the
public can absorb the important passages when they come . S : That is your own
personal impression . I wouldn ' t have said so . This style of acting is nothing but
...
This relieves the public , does not tire it to no purpose , and for that reason the
public can absorb the important passages when they come . S : That is your own
personal impression . I wouldn ' t have said so . This style of acting is nothing but
...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole