Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 9
Now about my history with the Method : The first time I remember ever hearing
anything that sounded like it was in 1929 . I was an acting apprentice in Eva
LeGallienne ' s Civic Repertory Company . A rehearsal was going on - it may
have ...
Now about my history with the Method : The first time I remember ever hearing
anything that sounded like it was in 1929 . I was an acting apprentice in Eva
LeGallienne ' s Civic Repertory Company . A rehearsal was going on - it may
have ...
Page 11
If any of you here remember it , you will know what I mean . I won ' t try to imitate
either Moissi or Ben - Ami , but just for purposes of demonstration I would like at
least to try to describe to you the difference in what happened at this moment in ...
If any of you here remember it , you will know what I mean . I won ' t try to imitate
either Moissi or Ben - Ami , but just for purposes of demonstration I would like at
least to try to describe to you the difference in what happened at this moment in ...
Page 35
The theory is that if , quietly relaxed , you think hack over a certain incident in
your life which moved you strongly at the time , and if you can remember and
recreate in your mind the physical circumstances of that moment ( where you
were ...
The theory is that if , quietly relaxed , you think hack over a certain incident in
your life which moved you strongly at the time , and if you can remember and
recreate in your mind the physical circumstances of that moment ( where you
were ...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole