Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 41
sence , he felt that while it is true that the proper psychological preparation for a
part will make for proper rhythm , ' he also felt that finding the suitable tempo -
rhythm of a character will lead you to feel correctly in the part , too . It is a double ...
sence , he felt that while it is true that the proper psychological preparation for a
part will make for proper rhythm , ' he also felt that finding the suitable tempo -
rhythm of a character will lead you to feel correctly in the part , too . It is a double ...
Page 42
External tempo and rhythm . " Twenty - nine . This is related to number Twenty -
seven . Just as our " feeling ” affects the tempo and rhythm of our delivery , so our
sense of external tempo and rhythm connects with our emotion . Acting training ...
External tempo and rhythm . " Twenty - nine . This is related to number Twenty -
seven . Just as our " feeling ” affects the tempo and rhythm of our delivery , so our
sense of external tempo and rhythm connects with our emotion . Acting training ...
Page 129
Need I stress the fact that actors who take a cut - and - dried attitude towards
tempo - rhythm never can really handle verse forms ? “ We are familiar with the
other extreme of reading on the stage in which the verse is all but turned into
prose .
Need I stress the fact that actors who take a cut - and - dried attitude towards
tempo - rhythm never can really handle verse forms ? “ We are familiar with the
other extreme of reading on the stage in which the verse is all but turned into
prose .
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