Method--or Madness?: With an Introd. by Harold Clurman, Volume 10A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The Method: " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production. |
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... sense knowledge is a form of knowledge no less true or meaningful than the structured knowledges of experts, including philosophers. In some respects, his perspective on common sense shares a great deal with the general view on common sense ...
... sense knowledge is a form of knowledge no less true or meaningful than the structured knowledges of experts, including philosophers. In some respects, his perspective on common sense shares a great deal with the general view on common sense ...
Page 40
... sense mooted by Aristotle, that internal metasense that not only receives sensation from particular organs of sense but discerns the fact of the sensing itself. As Michael Witmore crisply notes, the importance of common sense is that ...
... sense mooted by Aristotle, that internal metasense that not only receives sensation from particular organs of sense but discerns the fact of the sensing itself. As Michael Witmore crisply notes, the importance of common sense is that ...
Page 136
... senses do we have as hu- mans ? ( B ) By Eyes ( C ) By ears ( A ) 1 ( D ) By nose ( B ) 3 1291. Which sense organ will you use to see ( C ) 4 beautiful garden ? ( D ) 5 ( A ) Ears ( B ) Eyes 1292. Clean your with ear buds . ( A ) nose ...
... senses do we have as hu- mans ? ( B ) By Eyes ( C ) By ears ( A ) 1 ( D ) By nose ( B ) 3 1291. Which sense organ will you use to see ( C ) 4 beautiful garden ? ( D ) 5 ( A ) Ears ( B ) Eyes 1292. Clean your with ear buds . ( A ) nose ...
Contents
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Method Fetishes | 67 |
Copyright | |
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acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling FĂ©lia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor LECTURE Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words