Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 14
He taught his daughter , Pauline Viardot , to sing with his method . She was born in Paris . Pauline Viardot taught Félia Litvinne the Garcia method of singing . Litvinne was born in St. Petersburg . Félia Litvinne taught Nina Koshetz ...
He taught his daughter , Pauline Viardot , to sing with his method . She was born in Paris . Pauline Viardot taught Félia Litvinne the Garcia method of singing . Litvinne was born in St. Petersburg . Félia Litvinne taught Nina Koshetz ...
Page 63
Yet the greatest operatic singers in history were all “ true feelers . ” The famous singer Chaliapin was a mountain of feeling . In our own time Boris Christoff , whom I've heard in Italy , sings with wonderful , well - understood ...
Yet the greatest operatic singers in history were all “ true feelers . ” The famous singer Chaliapin was a mountain of feeling . In our own time Boris Christoff , whom I've heard in Italy , sings with wonderful , well - understood ...
Page 131
The third step , after you have fitted your acting to the music timewise , is to add the singing . Since singing raises you to a point of general feeling by itself , you may lose some of the specifics you have worked for so far .
The third step , after you have fitted your acting to the music timewise , is to add the singing . Since singing raises you to a point of general feeling by itself , you may lose some of the specifics you have worked for so far .
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing fact feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |