Method--or madness?: With an introd. by Harold Clurman |
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Page 14
Manuel Garcia was born in 1775, in Seville, Spain. He taught his daughter,
Pauline Viardot, to sing with his method. She was born in Paris. Pauline Viardot
taught Felia Litvinne the Garcia method of singing. Litvinne was born in St.
Petersburg.
Manuel Garcia was born in 1775, in Seville, Spain. He taught his daughter,
Pauline Viardot, to sing with his method. She was born in Paris. Pauline Viardot
taught Felia Litvinne the Garcia method of singing. Litvinne was born in St.
Petersburg.
Page 63
Yet the greatest operatic singers in history were all "true feelers." The famous
singer Cha- liapin was a mountain of feeling. In our own time Boris Christoff,
whom I've heard in Italy, sings with wonderful, well-understood feeling, and sings
...
Yet the greatest operatic singers in history were all "true feelers." The famous
singer Cha- liapin was a mountain of feeling. In our own time Boris Christoff,
whom I've heard in Italy, sings with wonderful, well-understood feeling, and sings
...
Page 131
The third step, after you have fitted your acting to the music timewise, is to add the
singing. Since singing raises you to a point of general feeling by itself, you may
lose some of the specifics you have worked for so far. But, you are compensated
...
The third step, after you have fitted your acting to the music timewise, is to add the
singing. Since singing raises you to a point of general feeling by itself, you may
lose some of the specifics you have worked for so far. But, you are compensated
...
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
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Common terms and phrases
acting Actor Prepares actress actual artist attitude audience beautiful Ben-Ami Brigadoon Building a Character called chart costume create curtain dance dancer director Duse elements emotion everything example feeling Felia Litvinne felt fetish Gene Lyons girl give going Group Theatre Hamlet happened Harold Clurman hear idea imagination important inner intention John Barrymore Laurette Taylor lecture Lewis listen look means ment Method Method actors Michael Chekhov Moissi mood Moscow Art Theatre moved movement Nina Koshetz Ophelia Othello Pauline Viardot performance person phony poetic theatre problem production psychological realistic rehearsal remember rhythm Sakini Salvini scene sense Shakespeare singing sound speaking specific speech stage Stanislavski Stanislavski system style talk technical technique tell tempo tempo-rhythm theatrical thing tion Tommaso Salvini true truth understand voice walking week whole play words
Bibliographic information
| Title | Method--or madness?: With an introd. by Harold Clurman |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| Length | 165 pages |
| Subjects | › Acting Method (Acting) Method acting Performing Arts / Acting & Auditioning |
| Export Citation | BiBTeX EndNote RefMan |