Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
From inside the book
Results 1-3 of 13
Page 14
He taught his daughter , Pauline Viardot , to sing with his method . She was born
in Paris . Pauline Viardot taught Félia Litvinne the Garcia method of singing .
Litvinne was born in St. Petersburg . Félia Litvinne taught Nina Koshetz to sing .
He taught his daughter , Pauline Viardot , to sing with his method . She was born
in Paris . Pauline Viardot taught Félia Litvinne the Garcia method of singing .
Litvinne was born in St. Petersburg . Félia Litvinne taught Nina Koshetz to sing .
Page 63
Yet the greatest operatic singers in history were all “ true feelers . ” The famous
singer Chaliapin was a mountain of feeling . In our own time Boris Christoff ,
whom I've heard in Italy , sings with wonderful , well - understood feeling , and
sings ...
Yet the greatest operatic singers in history were all “ true feelers . ” The famous
singer Chaliapin was a mountain of feeling . In our own time Boris Christoff ,
whom I've heard in Italy , sings with wonderful , well - understood feeling , and
sings ...
Page 131
If you can , it prevents the terrible disaster of the usual opera acting : that the
higher and louder you sing the more “ noble ” you feel - often the exact opposite
of what you are supposed to be experiencyou have ever sung you know how
good it ...
If you can , it prevents the terrible disaster of the usual opera acting : that the
higher and louder you sing the more “ noble ” you feel - often the exact opposite
of what you are supposed to be experiencyou have ever sung you know how
good it ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention interesting keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never once particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |