Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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The distinction is important because the Method was introduced to Stanislavski ' s
( Moscow Art ) theatre around 1911 in the heyday of the realistic play : Chekhov ,
Gorki , et al , and to the American theatre between 1925 – 35 when plays by ...
The distinction is important because the Method was introduced to Stanislavski ' s
( Moscow Art ) theatre around 1911 in the heyday of the realistic play : Chekhov ,
Gorki , et al , and to the American theatre between 1925 – 35 when plays by ...
Page 126
So we begin to see that theatre poetry is concerned not only with poetic words
but with a kind of unification of all the theatre arts , of which words are only one
element . One could even do without them , and there has been theatre without ...
So we begin to see that theatre poetry is concerned not only with poetic words
but with a kind of unification of all the theatre arts , of which words are only one
element . One could even do without them , and there has been theatre without ...
Page 152
Craig , as you know , was invited to Moscow to design the Moscow Art Theatre
production of Hamlet . Stanislavski had pinpointed the problem of poetic drama
we have discussed by saying to the actors , “ In Hamlet you are given great
feeling ...
Craig , as you know , was invited to Moscow to design the Moscow Art Theatre
production of Hamlet . Stanislavski had pinpointed the problem of poetic drama
we have discussed by saying to the actors , “ In Hamlet you are given great
feeling ...
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Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |