Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 145
... the play once again and see how these production ideas of the inner form and the physical style really do inspire the actors to a greater understanding of their parts . After that comes the next section of rehearsal , which 145 tion.
... the play once again and see how these production ideas of the inner form and the physical style really do inspire the actors to a greater understanding of their parts . After that comes the next section of rehearsal , which 145 tion.
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Contents
Background | 3 |
The Method Itself | 23 |
Some Attitudes toward the Method | 51 |
Copyright | |
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director discuss don't effect elements emotion everything example expressing fact feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment moved movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technique tell theatre theatrical thing thought tion true truth understand voice walking week whole