Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 95
But I have found that if you use the mind , which includes the understanding of
the whole play , the situations and the characters , and if with your will ( if you are
really talking and listening ) you fully execute exciting intentions , then the proper
...
But I have found that if you use the mind , which includes the understanding of
the whole play , the situations and the characters , and if with your will ( if you are
really talking and listening ) you fully execute exciting intentions , then the proper
...
Page 97
rer clock back ; we have all this new scientific material to deal with and we have
to incorporate it somehow into our understanding and our work . Now , to pursue
this a little further , M . Louis Jouvet said , in an article , that on the stage the actor
...
rer clock back ; we have all this new scientific material to deal with and we have
to incorporate it somehow into our understanding and our work . Now , to pursue
this a little further , M . Louis Jouvet said , in an article , that on the stage the actor
...
Page 135
But he also had to have an understanding of movement . He had to bend ... You
cannot even tackle a problem such as this unless everything is prepared for it
and unless the actor is able to understand and execute it all . That is the actor ' s ...
But he also had to have an understanding of movement . He had to bend ... You
cannot even tackle a problem such as this unless everything is prepared for it
and unless the actor is able to understand and execute it all . That is the actor ' s ...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |