Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
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Page 5
And he ' s the fellow who said , “ The three requisites to play a great tragic rôle
are voice , voice — and more voice . ” George Henry Lewes , the eminent English
critic , who saw Salvini toward the end of his career in Othello , said that in certain
...
And he ' s the fellow who said , “ The three requisites to play a great tragic rôle
are voice , voice — and more voice . ” George Henry Lewes , the eminent English
critic , who saw Salvini toward the end of his career in Othello , said that in certain
...
Page 43
Voice placement is extremely important . It is a great irritant , both to artist and
public , if the voice is placed badly . But not only is all this important for good
listening and intelligibility , but you should be able to place your voice where you
want it ...
Voice placement is extremely important . It is a great irritant , both to artist and
public , if the voice is placed badly . But not only is all this important for good
listening and intelligibility , but you should be able to place your voice where you
want it ...
Page 84
What really is a beautiful voice ? Is it a pretty sound with good diction and
emptiness inside ? No . I think Laurette Taylor had a beautiful voice ( I have a
phonograph record of her , too , to prove it ) . It was a very lovely and easy voice
production ...
What really is a beautiful voice ? Is it a pretty sound with good diction and
emptiness inside ? No . I think Laurette Taylor had a beautiful voice ( I have a
phonograph record of her , too , to prove it ) . It was a very lovely and easy voice
production ...
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able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole