Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 |
From inside the book
Results 1-3 of 49
Page 47
From the stated Spines one is able to choose proper intentions . Now , “ Long -
distance Mood , ” for all its fancy sounding name , simply meant the all -
pervading mood of a whole play , regardless of the various moods of the
individual scenes ...
From the stated Spines one is able to choose proper intentions . Now , “ Long -
distance Mood , ” for all its fancy sounding name , simply meant the all -
pervading mood of a whole play , regardless of the various moods of the
individual scenes ...
Page 78
Yet a part is really composed of a whole series of that kind of thing . How many "
big " scenes are there in a play ? And how much of one ' s part is often sloughed
off because of the inability to execute those “ small ” aspects of it ? If possible , it ...
Yet a part is really composed of a whole series of that kind of thing . How many "
big " scenes are there in a play ? And how much of one ' s part is often sloughed
off because of the inability to execute those “ small ” aspects of it ? If possible , it ...
Page 105
First , a sense of the whole — as a painter sees the whole picture in his mind ' s
eye as he paints . I have a feeling that even certain modernists in painting , who
may just start from anywhere on the canvas and let their luck take them where it ...
First , a sense of the whole — as a painter sees the whole picture in his mind ' s
eye as he paints . I have a feeling that even certain modernists in painting , who
may just start from anywhere on the canvas and let their luck take them where it ...
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
able acting actors actual answer artist attitude audience beautiful become beginning called character chart clear comes complete course create deal directed director don't effect elements emotion everything example expressing feeling fellow felt finally girl give given going Group Group Theatre hand happened hear idea imagination important inner intention keep kind LECTURE listen living look Master means meant ment Method mind moment move movement naturally never particular performance person physical play poetic possible Prepares problem production realistic reason rehearsal remember rhythm scene sense simply singing sound speaking specific speech stage Stanislavski started style supposed talk technical technique tell theatre theatrical thing thought tion true truth understand voice walking week whole
Bibliographic information
| Title | Method--or Madness?: With an Introd. by Harold Clurman, Volume 10 Method--or Madness?: With an Introd. by Harold Clurman, Robert Lewis |
| Author | Robert Lewis |
| Publisher | French, 1958 |
| Original from | the University of Michigan |
| Digitized | 3 Jan 2008 |
| ISBN | 0573690332, 9780573690334 |
| Length | 165 pages |
| Export Citation | BiBTeX EndNote RefMan |