Frankenstein: or The Modern PrometheusShelley's suspenseful and intellectually rich gothic tale confronts some of the most important and enduring themes in all of literture—the power of human imagination, the potential hubris of science, the gulf between appearance and essence, the effects of human cruelty, the desire for revenge and the need for forgiveness, and much more. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. |
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... dream and delirium, towards the Frozen Sea. It is, in fact, only at the very end of the book, when Walton encounters the monster grieving over Frankenstein's body, that we can at last be quite sure that the whole story is 'true' and not ...
... dream and delirium, towards the Frozen Sea. It is, in fact, only at the very end of the book, when Walton encounters the monster grieving over Frankenstein's body, that we can at last be quite sure that the whole story is 'true' and not ...
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... dreams—the following up trains of thought, which had for their subject the formation of a succession of imaginary incidents. My dreams were at once more fantastic and agreeable than my writings. In the latter I was a close imitator ...
... dreams—the following up trains of thought, which had for their subject the formation of a succession of imaginary incidents. My dreams were at once more fantastic and agreeable than my writings. In the latter I was a close imitator ...
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... dream. At first I thought but of a few pages—of a short tale; but Shelley urged me to develope the idea at greater length. I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and ...
... dream. At first I thought but of a few pages—of a short tale; but Shelley urged me to develope the idea at greater length. I certainly did not owe the suggestion of one incident, nor scarcely of one train of feeling, to my husband, and ...
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... Dream,—and most especially Milton, in Paradise Lost, conform to this rule; and the most humble novelist, who seeks to confer or receive amusement from his labours, may, without presumption, apply to prose fiction a licence, or rather a ...
... Dream,—and most especially Milton, in Paradise Lost, conform to this rule; and the most humble novelist, who seeks to confer or receive amusement from his labours, may, without presumption, apply to prose fiction a licence, or rather a ...
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affection appeared arrived beauty became become believe called cause child Clerval companion continued conversation cottage countenance creature dark dear death delight desire despair destroyed discovered dream earth Elizabeth endeavoured endured entered existence expressed eyes father fear feelings Felix felt fire followed Frankenstein Geneva gentle give hands happiness heard heart heavens hope horror human idea imagination Italy journey Justine kind lake leave letter light lived looked lost manner Mary means mind miserable monster months morning mountains murderer nature nearly never night opened passed peace perceived pleasure poor possessed present Prometheus promise pursue quitted reflect remained resolved rest scene seemed sensations Shelley sometimes soon soul sound spirit story strange suffered tale tears thing thought turned visited voice wind wish wonder wood wretched