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To walk together to the kirk, and all together pray He prayeth well, who loveth well both man and bird and beast

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She glides along the solitary-hearted

They burn'd his cottage to the ground

For many a thousand bodies there

On Linden's hills of stained snow
Triumphal arch that fill'st the sky

The sign of battle flew on the lofty British line
Again! again! and the battle did not slack
The battle rages loud and long.

My little ones kiss'd me a thousand times o'er
There's Galla Water.

With uncontroll'd meanderings

The Cuckoo

She answerd "Seven are we"

And often after sunset, sir

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Let me hear thy shouts, thou happy shepherd boy
Sing a joyous song! and let the young lambs bound

Mine be a cot beside the hill.

Sleep on, and dream of Heaven

There is a bower of roses by Bendemeer's stream
The Rapids are near and the daylight is past .
As slow our ship her foamy track

They come! the merry summer months.

It is a gracious boon for thought-crazed wight}

like me

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I remember, I remember, the house where I was born

Another morn than ours

Oh! give me my lowly thatched cottage again.
Every bird above him sings its softest tone
To that dark line our eager ship is steering
The Vicar

Within a thick and spreading hawthorn bush

HARRISON WEIR
W. THOMAS .
BIRKET FOSTER
H. WARREN
HARRISON WEIR
HARRISON WEIR
JOHN GILBERT
J. WOLF.

BIRKET FOSTER

GEORGE THOMAS
GEORGE THOMAS
JOHN BRETT.
G. DODGSON.
BIRKET FOSTER
GEORGE THOMAS
GEORGE THOMAS

EDMUND WARREN

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Never doleful dream again shall break the happy HARRISON WEIR

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HARRISON WEIR .
GUSTAVE DORÉ.

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New every morning is the love.

The last faint pulse of quivering light

While Memory, by thy grave, lives o'er thy

funeral day

The Rainbow

E. M. WIMPERIS
R. P. LEITCH

PERCIVAL SKELTON

E. M. WIMPERIS

You must wake and call me early, call me early, E. V. B..

mother dear

As I came up the valley, whom think ye should

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The honeysuckle round the porch has worn its wavy bowers

The night-winds come and go, mother, upon the meadow-grass

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To night I saw the sun set: he set and left behind
And the swallow 'll come back again with sum-

mer o'er the wave

Though you'll not see me, mother, I shall look upon your face

.

But tell her, when I'm gone, to train the rosebush that I set

To die before the snowdrop came

When the night and morning meet Wild flowers in the valley for other hands than

mine

To lie within the light of God, as I lie upon your} breast

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S the scope of the present volume has been planned

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few introductory remarks are required in order to obtain a retrospective glance at earlier English poetry.'

The first poem of any note in the language, and which is the most remarkable specimen of the class of verse that found general favour with the great body of the people at the time of its production, is the famous "Vision of Piers Ploughman," or, as it is given in the Latin title, "Visio Willielmi de Petro Plouhman," the Vision concerning Peter or Piers Ploughman. It appeared about 1365, thus preceding the "Canterbury Pilgrims" of Chaucer by about twenty years, and even most of the writings of Wycliffe. The construction of the poem is in

The Editor is indebted for much of the substance of this introduction to Mr. Friswell's admirable little volume of Essays on "English Literature," London, 1868.

I

B

alliterative verse without rhyme, and the subject is a description of the sufferings and temptations that beset the soul in its passage through this mortal life. The treatment is allegorical, like Bunyan's "Pilgrim's Progress," but there is at the same time running through it a severe and satirical attack on the viciousness of the clergy, and an exposure of the general corruption of manners of the period, which placed it at the head of the anti-clerical effusions that culminated at length in the great work of Chaucer. The authorship of the poem is generally ascribed to Robert Langland (or Langlande), a monk, of whom it may be said there is little or nothing known in the way of personal history. Much of the language that he uses is very similar to that of Chaucer.' The following passage, where Piers Ploughman is first brought under the notice of the reader, may be quoted as affording a good general idea of the poem. A number of people have been induced by the advice of two symbolical personages, Hope and Repentance, to set forth in quest of Truth:

A thousand of men tho
Thrungen togeders,
Cried upward to Christ

And to his clean moder,

To have grace to go with them

Truthe to seek.

Ac3 there was wight none so wise

The way thider couth,"

But blustreden forth as beasts
Over bankes and hills;
Till late was and long

That they a leed" met,
Apparelled as a paynim
In pilgrimes wise.

1 Mr. Thos. Wright's edition may be quoted as able and trustworthy.

2 Then.

3 But. 4 Knew. 5 Wandered ignorantly.

6 Person.

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And many a crouch on his cloak
And keyes of Rome

And the Vernicle1 before,

For men shold know

And see by his signs
Whom he sought had.
The folk frayned him first
Fro whennes he come

"From Sinai," he said,

"And from our Lord's sepulchre :

In Bethlem and in Babiloyn,
I have been in both;

In Armony and in Alisandre,

In many other places.

Ye may see by my signs

That sitten on my hat,
That I have walked full wide

In weet and in dry,

And sought good saints

For my soul's health."

"KnowestowR aught a corsaint

That men call Truth?

9

Coudestow 10 aught wissen" us the way

Where that wye 12 dwelleth?"”

"Nay, so me God help,"

Said the gome 13 then,

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