For Grief is proud, and makes his owner ftoop. (13) -bid Kings come bow to it.] I muft here account for the liberty I have taken to make a change in the divifion of the second and third acts. In the old editions, the fecond act was made to end here; tho 'tis evident, Lady Conftance here, in her defpair, feats her felf on the floor: and the muft be fuppofed, as I formerly obferv'd, immediately to rife again, only to go off and end the a decently; or the flat fcene muft fhut her in from the fight of the Audience, an abfurdity I cannot wish to accufe Shakespeare of. Mr. Gildon and fome other criticks fancied, that a confiderable part of the second act was loft; and that the chaẩm began here. I had joined in this fufpicion of a scene or two being loft; and unwittingly drew Mr. Pope into this error. "It feems to be fo, fays he, and it were to be wished the reftores " (meaning me,) could fupply it." To deferve this great man's thanks, I'll venture at the task; and hope to convince my readers, that nothing is loft; but that I have fupplied the fufpected chaẩm, only by rectifying the divifion of the as. Upon looking a little more narrowly into the conflitution of the play, I am satisfied that the third a& ought to begin with that scene, which has hitherto been accounted the laft of the second act: and my reasons for it are these. The match being concluded, in the fcene before that, betwixt the Dauphin and Blanch, a meffenger is fent for Lady Conftance to King Philip's tent, for her to come to St. Mary's church to the folemnity. The Princes all go out, as to the marriage; and the baftard, staying a little behind, to descant on intereft and commodity, very properly ends the act. The next fcene then, in the French King's tent, brings us Salisbury delivering his meffage to Conftance, who, refufing to go to the folemnity, fets herfelf down on the floor. The whole train returning from the church to the French King's pavilion, Philip expreffes fuch fatisfaction on occafion of the happy folemnity of that day; that Conftance rifes from the floor, and joins in the fcene by entering her proteft against their joy, and curfing the bufinefs of the day. Thus, I conceive, the scenes are fairly continued; and there is no chaẩm in the action; but a proper interval made both for Salisbury's coming to Lady Conftance, and for the folemnization of the marriage. Befides, as Faulconbridge is evidently the Poet's favourite character; 'twas very well judg'd to close the ad with his foliloquy. Enter Enter King John, King Philip, Lewis, Blanch, Elinor, Faulconbridge, and Auftria. K. Philip. 'Tis true, fair daughter; and this blessed day Conf. A wicked day, and not an holy-day.-Rifing. K. Philip. By heaven, Lady, you fhall have no caufe Conft. You have beguil'd me with a counterfeit And our oppreffion hath made up this league:: Set Set armed difcord 'twixt thefe perjur'd Kings. Auft. Lady Conftance, peace. Conft. War, war, no peace; peace is to me a war: O Lymoges, O Auftria! thou doft shame That bloody spoil: thou flave, thou wretch, thou coward, Thou ever ftrong upon the ftronger fide; Auft. O, that a man would speak those words to me! Auft. Thou dar'ft not fay fo, villain, for thy life. Faulc. And hang a calve's skin on thofe recreant limbs. Auft. Methinks, that Richard's pride and Richard's fall (14) Should be a precedent to fright you, Sir. Faulc. (14) Auft. Methinks, that Richard's pride and Richard's fall] Thefe 12 fubfequent lines Mr. Pope fiift inferted from the old fketch of this play, call'd, The troublefume Reign of King John, in Two Parts. As the Verfes are not bad, I have not cafheer'd them; tho' I do not conceive them fo abfolutely effential to clearing up any circumftance of the action, as Mr. Pope feems to imagine. What was the ground of this quarrel of the Baftard to Auftria (fays that Gentleman) is no where specified in the prefent play; nor is there in this place, or the fcene where it is firft binted at, (namely, the ad of Act 2) the leaft mention of any reafon for it. This is the Editor's affertion; but let us examine, how well it is grounded. In the very Faule. What words are thefe ? how do my finews shake! My father's foe clad in my father's spoil! How beginning of the 2d a&, the Dauphin, speaking of Auftria to young Artbur, fays; Richard, that robb'd the lion of bis heart, God fhall forgive you Coeur-de-lion's Death, Is not this a fufficient ground for Faulconbridge's quarrel to Auftria O Lymoges! O Auftria! thou doft fhame That bloody fpoil. Thou wear a lion's hide! doff it, for fhame; And bang a calf's fkin on those recreant limbs. Now Faulconbridge is prefent here, and fees Austria thus habited. But before, in the 2d act, where Faulconbridge begins to quarrel with Auftria, let us attend to their dialogue, Auft. What the devil art thou? Faulc. One that will play the devil, Sir, with you, I'll fmoak your skin coat, an' I catch you right; But may it not here again be objected, that though Faulconbridge faw Auftria clad in a lion's hide; yet he might not know it to be the very hide, which was worn by King Richard his father? But to put that point out of all doubt, let us only hear what Lady Blanch imme. diately replies; O, well did he become that lion's hide, How doth Alecto whisper in mine ears, Enter Pandulph. K. Philip. Here comes the holy legate of the Pope. To thee, King John, my holy errand is; I Pandulph, of fair Milain Cardinal, Why thou against the church, our holy mother, This in our forefaid holy father's name, K. John. What earthly name to interrogatories To charge me to an anfwer, as the Pope. Tell him this tale, and from the mouth of England Shall tithe or toll in our dominions : I fubmit it therefore, whether thefe lines have not been inferted, Without |