Coleridge as Poet and Religious Thinker: Inspiration and Revelation |
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Page 89
... principle of method , so Schlegel seeks to avoid ' festen Grundsätzen ' or ' fixed principle ' . Coleridge describes Shakespeare's unity as a ' principle of progression ' , while Schlegel suggests that ' everything good and excellent ...
... principle of method , so Schlegel seeks to avoid ' festen Grundsätzen ' or ' fixed principle ' . Coleridge describes Shakespeare's unity as a ' principle of progression ' , while Schlegel suggests that ' everything good and excellent ...
Page 91
... principle of progression ' or ' productive principle ' is the same as in the earlier writings . Similarly , the relationship between parts and a whole which was discussed in 1808 in ' Shakespeare's Judgement equal to his Genius ' , is ...
... principle of progression ' or ' productive principle ' is the same as in the earlier writings . Similarly , the relationship between parts and a whole which was discussed in 1808 in ' Shakespeare's Judgement equal to his Genius ' , is ...
Page 98
... principle proved fertile in directions far removed from Emersonian transcendentalism . In England , the philosopher Shadforth H. Hodgson published his Philosophy of Reflection ( 1878 ) , dedicated to Coleridge , ' my Father in ...
... principle proved fertile in directions far removed from Emersonian transcendentalism . In England , the philosopher Shadforth H. Hodgson published his Philosophy of Reflection ( 1878 ) , dedicated to Coleridge , ' my Father in ...
Contents
THE ROMANTIC CONTEXT | 8 |
Symbol and Organic Form | 16 |
KUBLA KHAN THE RIME OF THE ANCIENT | 43 |
Copyright | |
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Coleridge as Poet and Religious Thinker: Inspiration and Revelation David Jasper Limited preview - 1985 |
Common terms and phrases
absolute aesthetic Aids to Reflection Ancient Mariner artist biblical Biographia Literaria Boehme Cambridge Platonists Christ Christian Coleridge's Coleridge's later Coleridge's writings Confessio Fidei Confessions consciousness context creation creative Dejection described divine doctrine Eolian Essays eternal experience faith Farrer Fichte finite fragment freedom Friedrich Schlegel Friend Friend(CC Giordano Bruno Glass of Vision Gospel Hartley Helen Gardner human Ibid Idea individual infinite infinity inspiration intellectual intuition irony John Kant Kant's Kritik Kubla Khan language letter Limbo literature Logos M. H. Abrams Mary Midgley McFarland metaphysical mind moral mystery narrative nature object Opus Maximum original original sin Owen Barfield Oxford perceived poem poet poetic poetry Polar Logic prose radical evil reader reading reason religious revelation Romantic S. T. Coleridge Samuel Taylor Coleridge Schelling self-reflection sense symbol tetractys theology theory things thought tradition truth unity universal Wordsworth wrote