Strands Afar Remote: Israeli Perspectives on ShakespeareAvraham Oz This book is a collection of essays on Shakespeare and his contemporaries by Israeli writers. Topic matter includes friendship and love in the Merchant of Venice, Augustinian metaphor in As You Like It, motive, and meaning in All's Well That Ends Well, Shakespeare's translation into Hebrew, and so forth, as well as an afterword by the editor. |
From inside the book
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Page 8
... Poetics 255 HARAI GOLOMB Afterword : " Prosper Our Colours " : A Case / Noncase for National Perspectives on Shakespeare and his Contemporaries 276 AVRAHAM OZ Index 301 Contributors SHULI BARZILAI is a Senior Lecturer in the Department ...
... Poetics 255 HARAI GOLOMB Afterword : " Prosper Our Colours " : A Case / Noncase for National Perspectives on Shakespeare and his Contemporaries 276 AVRAHAM OZ Index 301 Contributors SHULI BARZILAI is a Senior Lecturer in the Department ...
Page 18
... poetic drama . On the Shakespearean stage the controlled perspective that keeps money and love in steady focus is less apparent than the pressure and anxiety that force them together creating the unexpected combinations and re- versals ...
... poetic drama . On the Shakespearean stage the controlled perspective that keeps money and love in steady focus is less apparent than the pressure and anxiety that force them together creating the unexpected combinations and re- versals ...
Page 21
... poet of defending him from suspicious inquiry . It is as if he is saying , leave the boy alone , he's only a breeder , a key to Portia's treasure chest . Bassanio's blandness is in fact the cause of desire in others , notably in Antonio ...
... poet of defending him from suspicious inquiry . It is as if he is saying , leave the boy alone , he's only a breeder , a key to Portia's treasure chest . Bassanio's blandness is in fact the cause of desire in others , notably in Antonio ...
Page 37
... poet and his project of writing sonnets . Fineman's point about the sound of " whole " as " pure languageness " which denies the univocity of tradi- tional poetic language is finely made but his fierce emphasis on the rhetoric leaves ...
... poet and his project of writing sonnets . Fineman's point about the sound of " whole " as " pure languageness " which denies the univocity of tradi- tional poetic language is finely made but his fierce emphasis on the rhetoric leaves ...
Page 40
... poet wants to give it . " 11 Burckhardt's emphasis on the corporeality of language enforces Shylock's association with the corporeal ; a Jew , in other words , whose materiality symbolizes for Christians an unredeemed car- nality ...
... poet wants to give it . " 11 Burckhardt's emphasis on the corporeality of language enforces Shylock's association with the corporeal ; a Jew , in other words , whose materiality symbolizes for Christians an unredeemed car- nality ...
Contents
17 | |
38 | |
St Augustine Metaphor in As You Like It | 51 |
The Desire for Representation and the Rape of Voice | 62 |
Identity and Agency in Shakespeares | 87 |
Motive and Meaning in Alls Well That Ends Well | 113 |
The Isolation of the Tragic Protagonist | 138 |
The Politics of Tamburlaine and Julius Caesar | 151 |
Hamlets Entrails | 177 |
Othello and Woyzeck as Tragic Heroes According to Aristotle and Hegel | 204 |
Coriolanus and the Compulsion to Repeat | 232 |
A Study in Historical Poetics | 255 |
Prosper Our Colours A CaseNoncase for National Perspectives on Shakespeare and his Contemporaries | 276 |
Index | 301 |
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Common terms and phrases
Achilles Adelman All's Antonio Arden Aristotle Bassanio Bertram Bialik biblical body Caesar character chivalric Christian classical Claudius comedy contemporary context Coriolanus critics cultural death death instinct Desdemona desire for representation discourse dramatic early modern English essay fantasy father figure fort/da game Freud Hamlet Haskala hath Hebrew Hegel Helena human Iago Ibid ideal identity ideological interpretation Israeli jealousy Jerusalem Jewish Julius Caesar King Lacan language literary London Lucrece Madonna male means Merchant of Venice mirror stage Moor Morocco mother motive narrative nature Nietzsche Othello Parolles play play's Pleasure Principle plot poet poetic poetry political Portia Problem Comedies protagonists reading Renaissance repetition rhetorical Richard scene sense sexual Shake Shakespeare Shylock sonnet soul speak stag symbolic Tamburlaine theater thou tion tragedy tragic conflict tragic hero trans translation Troilus and Cressida Ulysses University Press voice woman words Woyzeck York
Popular passages
Page 64 - The eye of man hath not heard, the ear of man hath not seen; man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was.
Page 148 - Cold fearful drops stand on my trembling flesh. What do I fear ? myself ? there's none else by : Richard loves Richard ; that is, I am I. Is there a murderer here ? No. Yes, I am : Then fly. What, from myself ? Great reason why : Lest I revenge.
Page 18 - It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.
Page 180 - Will sate itself in a celestial bed, And prey on garbage. But, soft! methinks, I scent the morning air; Brief let me be: — Sleeping within mine orchard, My custom always of the afternoon, Upon my secure hour thy uncle stole, With juice of cursed hebenon in a vial, And in the porches of mine ears did pour The leperous distilment...
Page 60 - tis to pity and be pitied, Let gentleness my strong enforcement be : In the which hope I blush, and hide my sword.
Page 64 - I have had a most rare vision. I have had a dream, — past the wit of man to say what dream it was : man is but an ass, if he go about to expound this dream.
Page 78 - There's language in her eye, her cheek, her lip, Nay, her foot speaks ; her wanton spirits look out At every joint and motive of her body. O, these encounterers, so glib of tongue, That give a coasting welcome ere it comes. And wide unclasp the tables of their thoughts To every ticklish reader ! set them down For sluttish spoils of opportunity, And daughters of the game. [Trumpet within. All. The Trojans
Page 105 - Force should be right; or rather, right and wrong, Between whose endless jar justice resides, Should lose their names, and so should justice too. Then every thing includes itself in power, Power into will, will into appetite; And appetite, an universal wolf, So doubly seconded with will and power, Must make perforce an universal prey, And last eat up himself.