France and the Holy Land: Frankish Culture at the End of the Crusades

Front Cover
Daniel H. Weiss, Lisa J. Mahoney
JHU Press, May 14, 2004 - Art - 375 pages

During the First Crusade launched in 1095, thousands of Europeans fought to liberate Jerusalem from the Seljuk Turks. By 1099, they had succeeded, and in the decades that followed, Franks settled in the newly conquered territory, creating a rich intellectual and cultural life. They wrote poetry and histories of their experiences, erected churches and castles, and commissioned illuminated manuscripts, frescoes, sculpture, and more. The majority of the crusaders and settlers were French, so the art and culture of France were of abiding importance to them. But the settlers did not merely transfer French artistic forms to the Levant; they also incorporated ideas and images from Byzantine and Islamic neighbors.

In France and the Holy Land, Daniel H. Weiss and Lisa Mahoney bring together leading scholars from a variety of disciplines to shed light on the many aspects of this Frankish crusader culture. The authors examine the art, poetry, and architecture of crusader Paris, look at the imprint the Frankish settlers left on the Levant, and explore cultural exchange between the Franks and both Byzantines and Muslims.

Although the crusaders' struggle to hold the occupied lands was ultimately futile, their stay in the Levant produced a unique and fascinating intellectual and cultural flowering that was neither Western nor Middle Eastern, but a distinctive melange of both. These thoughtful, provocative essays from prominent medievalists profoundly broaden and deepen our understanding of this significant historical period.

Contributors: Annemarie Weyl Carr, Southern Methodist University; Rebecca W. Corrie, Bates College; Anthony Cutler, Pennsylvania State University; Anne Derbes, Hood College; Jaroslav Folda, University of North Carolina, Chapel Hill; David Jacoby, Hebrew University, Jerusalem; Bianca Kühnel, Hebrew University, Jerusalem; Gustav Kühnel, Tel Aviv University; Stephen G. Nichols, The Johns Hopkins University; Robert Ousterhout, University of Illinois, Urbana-Champaign; Scott Redford, Georgetown University; Jonathan Riley-Smith, University of Cambridge; Mark Sandona, Hood College

 

Contents

The Old Testament Image and the Rise of Crusader Culture in France
3
The Vengeance of Images in Medieval Poetry
22
The Crown of France and Acre 12541291 Jonathan RileySmith
45
Tracing the Path of a Royal Motif
63
The French Connection? Construction of Vaults and Cultural Identity
77
Society Culture and the Arts in Crusader Acre David Jacoby
97
Aspects of Crusader Art at St Jean dAcre 11911244
138
The Perception of History in ThirteenthCentury Crusader
161
The Histoire Universelle in Flanders and
187
The Conradin Bible Atelier and a Neapolitan
218
The Invisible Muslim and Christian
253
Systems of Representation in the Northeast
282
A Lusignan Asset? Annemarie Weyl Carr
313
Bibliography
337
List of Contributors
369
Copyright

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About the author (2004)

Daniel H. Weiss is the president of the Metropolitan Museum of Art. For over a decade, he led liberal arts institutions, serving as the president of Haverford College and Lafayette College.