Moral Textures: Feminist Narratives in the Public SphereMaria Pia Lara develops a new approach to public sphere theory and a novel understanding of the history of the feminist struggle in this bold, groundbreaking work. When dominated groups create publicly-oriented social movements, she argues, they seek to frame their demands in compelling narrative forms. Through these new tales, they can become, for the first time, active subjects in their own stories. In making her argument, Lara examines a very wide range of women's narratives: autobiographies of eighteenth-century salonni res, the novels of Jane Austen, the writings of contemporary women activists, and the portrayal of women in television and film. Taking stock of contemporary feminist writings in social science, history, literature, jurisprudence, and philosophy, she suggests that they can be viewed not only as empirical accounts of injustice but also as cultural narratives. Lara contends that these narratives have transformed the individual identities of women even as they have expanded universal moral claims in a revolutionary way. |
Contents
The Construction | 23 |
Between Spheres of Validity | 50 |
Feminism as an Illocutionary Model | 68 |
Autonomy and Authenticity as Textures of the Moral Subject | 81 |
Between Facts and Fiction | 92 |
Women in the Public Sphere | 107 |
A Critical Revision | 120 |
Problems of Multiculturalism | 146 |
Conclusion | 165 |
Notes | 172 |
213 | |
224 | |
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achieve action Adorno aesthetic allows argues arguments autobiography Axel Honneth become Benhabib Bohman Cambridge chapter civil society cognitive communicative communicative rationality conceived connection critical critical theory cultural deliberative democracy democracy democratic developed dialogue dimension discourse ethics discussion dynamics emancipatory equality example experience expressivistic feminism fiction forms gender Habermas Habermasian Hannah Arendt hermeneutical historical Honneth human Ibid idea identity illocutionary force important individual institutions interaction interpretation interrelation Jane Austen judgement justice language linked literary meaning mediating mimesis Mme de Staël modern moral agents narration normative notion one's oneself Paul Ricoeur performative philosophical plurality political possible projects public spaces public sphere Rahel Rahel Varnhagen rationality reason reflexive relation Ricoeur role self-understanding sense Seyla Benhabib social movements solidarity specific story storytelling struggle for recognition subjects symbolic Taylor thematize theory tion tive tradition transformation truth understanding University Press validity spheres Wellmer women women's narratives