The Irish Beckett

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Syracuse University Press, May 1, 1991 - Literary Criticism - 224 pages
Breaking with a powerful tradition among scholars that insists that Beckett’s Irishness is no more than an accident of birth, Harrington provides compelling evidence to the ways in which many of Beckett’s best-known texts are deeply involved in Irish issues and situations. Providing new readings of such works as More Pricks Than Kicks, Murphy, Watt, Mercier and Camier, Waiting for Godot, and Endgame, Harrington provides an understanding of Beckett’s work in its representation of Ireland, of Irish history, and of Irish literary traditions.
 

Contents

Introduction
1
Early Criticism in Context
8
More Pricks Than Kicks Dublin 1930s
45
Murphy and the Gaelic Prosodoturfy
82
Watt and Knotts Big House
109
Major Fiction and Drama
143
Works Cited
193
Index
207
Copyright

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About the author (1991)

John P. Harrington is professor of English and Dean of the Faculty of Arts and Sciences at Fordham University. He has written extensively on Irish literature and culture, including The Irish Play on the New York Stage: 1874–1966 and Irish Theater in America: Essays on Irish Theatrical Diaspora.

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