A Student's History of English Literature |
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... material used in sections dealing with the romancers and novelists has been taken from chap- ters in the author's Introduction to a Study of Eng- lish Fiction , published by D. C. Heath and Company . In the biographical sketch of Walter ...
... material used in sections dealing with the romancers and novelists has been taken from chap- ters in the author's Introduction to a Study of Eng- lish Fiction , published by D. C. Heath and Company . In the biographical sketch of Walter ...
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... Quincey's Revolt of the Tartars , published by Ginn and Company . For the cordial permission of these houses to use this material , the writer desires to ex- press his thanks . CHAP . CONTENTS I. THE ANGLO - SAXON PERIOD Britain.
... Quincey's Revolt of the Tartars , published by Ginn and Company . For the cordial permission of these houses to use this material , the writer desires to ex- press his thanks . CHAP . CONTENTS I. THE ANGLO - SAXON PERIOD Britain.
Page 48
... material from still earlier tales which had been circulating in France ; but the original work to which both Layamon and Wace were most indebted was a so - called Historia Regum Britanniæ , or His- tory of the Kings of Britain , which ...
... material from still earlier tales which had been circulating in France ; but the original work to which both Layamon and Wace were most indebted was a so - called Historia Regum Britanniæ , or His- tory of the Kings of Britain , which ...
Page 49
... material from Norman and Celt , celebrating the deeds not of Englishmen , but of Britons , appropriating their glory for the glory of England , and tacitly ac- cepting conditions as they are . The poem is purely English ; few French ...
... material from Norman and Celt , celebrating the deeds not of Englishmen , but of Britons , appropriating their glory for the glory of England , and tacitly ac- cepting conditions as they are . The poem is purely English ; few French ...
Page 65
... material of which Chau- cer was master ; and this was the budding time of his genius . Chaucer had already found the power to express himself in rhyme , although , as we should ex- Early pect , it is in the conventional form of the only ...
... material of which Chau- cer was master ; and this was the budding time of his genius . Chaucer had already found the power to express himself in rhyme , although , as we should ex- Early pect , it is in the conventional form of the only ...
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Common terms and phrases
Addison Alfred Anglo-Saxon appeared Bacon beauty became Ben Jonson Beowulf Byron Cædmon Canterbury Tales career Carlyle century character Charles Charles Lamb Chaucer Church classic Coleridge comedies composition criticism Cynewulf death drama Dryden edited England epic essays euphuism expression fame famous fiction Francis Bacon friends genius Geoffrey Chaucer Ginn Hamlet Henry hero honor humor influence interest Ivanhoe John John Bunyan John Dryden John Ruskin Johnson Julius Cæsar King Lamb later Latin lines lish literary lived London Lord Macaulay ment Milton moral narrative nature novel novelist Paracelsus passages passion period plays poem poet poet's poetry Pope Pope's prose published Puritan Quincey romance Ruskin satire Saxon scene Scott Shakespeare Shelley song spirit stanza story student style SUGGESTIONS FOR STUDY Swift Tatler Tennyson Thomas tion translation verse volume Widsith William Shakespeare Wordsworth writer wrote
Popular passages
Page 313 - Guid faith he mauna fa' that. For a' that, and a' that, Their dignities, and a' that ; The pith o' sense, and pride o' worth, Are higher rank than a that. Then let us pray that come it may, As come it will for a' that ; That sense and worth, o'er a' the earth, May bear the gree, and a' that. For a
Page 204 - Her finger was so small, the ring, Would not stay on, which they did bring, It was too wide a peck: And to say truth (for out it must) It looked like the great collar (just) About our young colt's neck. Her feet beneath her petticoat, Like little mice, stole in and out, As if they fear'd the light: But O she dances such a way!
Page 287 - Is not a Patron, my Lord, one who looks with unconcern on a man struggling for life in the water, and when he has reached ground, encumbers him with help...
Page 121 - Piece out our imperfections with your thoughts ; Into a thousand parts divide one man, And make imaginary puissance ; Think, when we talk of horses, that you see them Printing their proud hoofs i...
Page 452 - FLOWER in the crannied wall, I pluck you out of the crannies, I hold you here, root and all, in my hand, Little flower — but if I could understand What you are, root and all, and all in all, I should know what God and man is.
Page 120 - On this unworthy scaffold to bring forth So great an object; can this cockpit hold The vasty fields of France? or may we cram Within this wooden O the very casques That did affright the air at Agincourt?
Page 197 - Alas ! what boots it with uncessant care To tend the homely, slighted, shepherd's trade, And strictly meditate the thankless Muse ? Were it not better done, as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair...
Page 145 - The web of our life is of a mingled yarn, good and ill together : our virtues would be proud if our faults whipped them not; and our crimes would despair if they were not cherished by our virtues.
Page 456 - Love took up the harp of Life, and smote on all the chords with might; Smote the chord of Self, that, trembling, pass'd in music out of sight.
Page 205 - Tell me not, Sweet, I am unkind That from the nunnery Of thy chaste breast and quiet mind, To war and arms I fly. True, a new mistress now I chase, The first foe in the field; And with a stronger faith embrace A sword, a horse, a shield. Yet this inconstancy is such As you too shall adore; I could not love thee, dear, so much, Loved I not honour more.